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There is something deeply spiritual about the Soweto Gospel Choir that exceeds a typical Fringe show.
Walking into the iconic Rechabite Hall on a sold-out Wednesday night, the air was already humming with anticipation. Nothing could have prepared me for the sheer “vocal pyrotechnics” about to unfold under the stage lights.
From the second the choir stepped out, the room ignited.
Their aesthetic alone is an instant mood-lifter. It was a kaleidoscope of vibrant, traditional South African attire paired perfectly with matching kicks that proved they were truly ready to move. The choreography was pure joy, a rhythmic and powerful celebration of their heritage that had the entire crowd beaming from ear to ear.
But it was the mind-blowing “vocal pipes” that truly stole the show.
Their harmonies don’t just hit your ears; they resonate deep in your chest. When they began the opening notes of “Walk On,” I was completely undone. It was my late father’s absolute favourite song, and hearing it delivered with such soulful, heavenly precision brought me to instant tears. It wasn’t just a performance; it felt like a spine-tingling connection to his memory.
Just when we thought our hearts couldn’t possibly get any fuller, they closed the night with a breathtaking rendition of “Hallelujah.” It was an emotional, uplifting experience that left the room in a state of grace.
By the final note, there wasn’t a soul left sitting. The standing ovation was immediate. It was a collective roar of gratitude for a performance that felt both deeply personal and globally unifying.