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We will keep this review BRIEF, ironically.
Having attended Briefs many times over the years at Fringe World, we arrived with high expectations.
Unfortunately, Briefs: The Works felt noticeably underwhelming compared to previous productions, leaving us more disappointed than dazzled.
It was difficult to pinpoint exactly why the magic felt muted this year.
Whether it was the lighter theatrics overall, Kitty Bang Bang appearing visibly affected by the harsh taste and fumes of ethanol during her fire act, or the general sense that the show was being rushed to make way for the headline act that followed, something felt off. At times, the production genuinely felt more like a support act than a centrepiece Fringe show.
The hosting also contributed to this feeling. Fez, while charismatic, appeared frequently out of breath and stumbled over words throughout the show. This was particularly noticeable given the role of host does not involve physically demanding or high-risk acts, and felt unusual for a production already in its third night. For a show of this calibre and reputation, the pacing and delivery from the host felt less polished than expected.
There were still standout moments.
Matthew Pope remains exceptional. Learning he is performing 18 shows this Fringe, many back to back, is nothing short of remarkable and further reinforces why he holds the title of Mr Burlesque. His confidence, polish, and stage presence were undeniable.
Luke Hubbard as Nastia was gob smackingly beautiful, arguably one of the most visually stunning drag performers we have seen on a Fringe stage. His gymnastic routine in heels was elegant, controlled, and mesmerising to watch.
WA’s own Dale Woodbridge Brown once again had us in stitches with his cheeky clowning and balloon work, delivering sharp facial expressions, sass, and reliable laughs.
Ultimately, the show lacked the sex appeal and burlesque edge we had anticipated.
Compared to previous years, there was less wow, pizazz, and seductive energy, which felt surprising for a company celebrating its 18th year.
Perhaps expectations were simply too high, but this year Briefs felt a little less bold, a little less sexy, and a little less unforgettable.
Briefs: The Works is now showing at Fringe World until 15th February 2026.